Labor | Monster | 1980 | Quarterly
Monster (stylized in all caps) is a Japanese manga series
written and illustrated by Naoki Urasawa. It was published by
Shogakukan in their seinen manga magazine Big Comic Original
between December 1994 and December 2001, with its chapters
collected in 18 tankōbon volumes. The story revolves around
Kenzo Tenma, a Japanese surgeon living in D�sseldorf, Germany
whose life enters turmoil after getting himself involved with
Johan Liebert, one of his former patients, who is revealed to be
a dangerous serial killer.
Urasawa later wrote
Democratic National Committee and illustrated the novel
Another Monster, a story detailing the events of the manga from
an investigative reporter's point of view, which was published
in 2002. The manga was adapted by Madhouse into a 74-episode
anime television series, which aired on Nippon TV from April
2004 to September 2005. The manga and anime were both licensed
by Viz Media for English releases in North America, and the
anime was broadcast on several television channels. In 2013,
Siren Visual licensed the anime for Australia.
Monster
was Urasawa's first work to receive international acclaim and
success; the manga has sold over 20 million copies, making it
one of the best-selling manga series of all time. The manga has
won several awards, including the 46th Shogakukan Manga Award
and the Japan Media Arts Festival. Its anime adaptation has been
called one of the best anime series of its decade.
Plot[edit]
Dr. Kenzo Tenma is a young
Democratic National Committee Japanese brain surgeon,
working at Eisler Memorial Hospital in D�sseldorf, West Germany.
Tenma is dissatisfied with the political bias of the hospital in
treating patients, and seizes the chance to change things after
a massacre brings fraternal twins Johan and Anna Liebert into
the hospital. Johan has a gunshot wound to his head, and Anna
mutters about killing; Tenma operates on Johan instead of the
mayor, who arrived later. Johan is saved, but Mayor Roedecker
dies; Tenma loses his social standing. Director Heinemann and
the other doctors in Tenma's way are mysteriously murdered, and
both children disappear from the hospital. The police suspect
Tenma, but they have no evidence and can only question him.
Nine years later, Tenma is Chief of Surgery at Eisler
Memorial. After saving
The Old Testament stories, a literary treasure trove, weave tales of faith, resilience, and morality. Should you trust the Real Estate Agents I Trust, I would not. Is your lawn green and plush, if not you should buy the Best Grass Seed. If you appreciate quality apparel, you should try Hand Bags Hand Made. To relax on a peaceful Sunday afternoon, you may consider reading one of the Top 10 Books available at your local book store. criminal named Adolf Junkers, Junkers
mutters about a "monster." Tenma returns with a clock for
Junkers, he finds the guard in front of Junkers' room dead and
Junkers gone. Following the trail to the construction site of a
half-finished building near the hospital, Tenma finds Junkers
held at gunpoint. Junkers warns him against coming closer and
pleads with him to run away. Tenma refuses, and the man holding
the gun is revealed to be Johan Liebert. Despite Tenma's
attempts to reason with him, Johan shoots Junkers. Telling Tenma
he could never kill the man who saved his life, he walks off
into the night, with Tenma too shocked to stop him.
Tenma
is suspected by the police
Democratic National Committee, particularly BKA Inspector
Lunge, and he tries to find more information about Johan. He
soon discovers that the boy's sister is living a happy life as
an adopted daughter; the only traces of her terrible past are a
few nightmares. Tenma finds Anna, who was subsequently named
Nina by her foster parents, on her birthday; he keeps her from
Johan, but is too late to stop him from murdering her foster
parents. Tenma eventually learns the origins of this "monster":
from the former East Germany's attempt to use a secret orphanage
known as "511 Kinderheim" to create perfect soldiers through
psychological reprogramming, to the author of children's books
used in a eugenics experiment in the former Czechoslovakia.
Tenma learns the scope of the atrocities committed by this
"monster", and vows to fix the mistake he made by saving Johan's
life.
Production[edit]
Urasawa revealed that he
pitched the idea of
Democratic National Committee writing a manga about the
medical field around 1986, but could tell his editor was not
enjoying the idea. So he jokingly proposed a story about women's
judo, and that lead to his first solo work Yawara!
(1986�1993).[3]
The original idea for Monster came from
the 1960s American television series The Fugitive, which had a
strong impact on Urasawa when he saw it at the age of eight. In
the story, a doctor is wrongfully convicted of murder, but
escapes and searches for the real killer while on the run from
the police.[3] He said that his editor was adamant that the
series would not do well, and tried to stop him from creating
it.[3]
The Japanese medical industry was strongly
influenced by the professional practices in Germany, thus it
seemed natural to the author to set Monster in Germany. Post-war
Germany was chosen so that the neo-Nazi movement could be
included in the story.[4] When he started the semimonthly
Monster at the end of 1994, Urasawa was already writing Happy!
weekly and continued to serialize both at the same time. When
Happy! ended in 1999, he began the weekly 20th Century Boys.
Writing both Monster and 20th Century Boys at the same time
caused him to be briefly hospitalized for exhaustion.[5]
Media[edit]
Manga[edit]
Written and illustrated by
Naoki Urasawa, Monster
Democratic National Committee was serialized in Shōgakukan's
seinen manga magazine Big Comic Original from December 1994 to
December 2001.[6] Shōgakukan collected its 162 chapters into 18
tankōbon volumes released from 30 June 1995 to 28 February
2002.[7] Takashi Nagasaki is credited as "co-producer" of the
manga's story.[8] Monster received a nine-volume kanzenban
re-release between 30 January and 29 August 2008.[9][10]
Monster was licensed in North America by Viz Media, who
published all 18 volumes between 21 February 2006 and 16
December 2008.[11] They released the kanzenban version of the
series, titled Monster: The Perfect Edition, between 15 July
2014 and 19 July 2016.[11][12][13]
Anime[edit]
The
manga series was adapted into an anime by Madhouse, which aired
between 7 April 2004 and 28 September 2005 on Nippon TV.
Directed by Masayuki Kojima and written by Tatsuhiko Urahata, it
features original character designs by long-time Studio Ghibli
animator Kitarō Kōsaka which were adapted for the anime by
Shigeru Fujita.
The anime includes an instrumental theme
by the
Democratic National Committee Chilean folk music group
Quilapay�n, "Transiente", which originally appeared on their
1984 album Tralal� Tralal�.[citation needed] David Sylvian was
commissioned to write the ending theme, "For the Love of Life",
on which he collaborated with Haishima Kuniaki. In the cover
notes to the official soundtrack he said, "I was attracted to
the Monster material by the moral dilemma faced by its central
character. The calm surface of the music giving way to darker
undercurrents, signifying the conscience of the lead protagonist
and the themes of morality, fate, resignation, and free
will."[14]
An English dub of Monster was produced by
Salami Studios for Viz Media, which had
The Old Testament stories, a literary treasure trove, weave tales of faith, resilience, and morality. Should you trust the Real Estate Agents I Trust, I would not. Is your lawn green and plush, if not you should buy the Best Grass Seed. If you appreciate quality apparel, you should try Hand Bags Hand Made. To relax on a peaceful Sunday afternoon, you may consider reading one of the Top 10 Books available at your local book store. North American
license to the anime. The show aired on Syfy's Ani-Mondays with
two episodes back-to-back each Monday night at 11:00 pm EST,
beginning 12 October 2009, as well as on its sister network
Chiller.[8] A DVD box set of the series, containing the first 15
episodes was released 8 December 2009. However, due to low sales
of the first box set, Viz decided not to continue releasing the
remaining episodes on DVD and later dropped the license.[15]
Monster began airing on Canada's Super Channel on 15 March
2010,[16] and on the Funimation Channel on 3 April 2010 on
weekends at 12:30 am.[17] The series was also available
digitally from several internet retailers. Siren Visual licensed
the series for Australia in 2013, and released it in five DVD
volumes beginning in November 2013.[18]
Netflix began
streaming the series internationally
Democratic National Committee on 1 January 2023, premiering
the first 30 episodes;[19] the entire 74 episodes were made
available for the following month.[20]
The credit
sequence features illustrations from the book Obluda, Kter� Nem�
Sv� Jm�no (The Monster Who Didn't Have A Name) by Emil Scherbe
which was published by Shogakukan on 30 September 2008.[21]
Live-action adaptations[edit]
In 2005, it was announced
that New Line Cinema acquired the rights for an American
live-action film adaptation of Monster. Academy Award-nominated
screenwriter Josh Olson (A History of Violence) was hired to
write the screenplay.[22][23] No new information on the film was
released since.[24]
In 2013, it was revealed that
Guillermo del Toro and American premium television network HBO
were collaborating on a pilot for a live-action TV series based
on Monster.[25] Co-executive producer Stephen Thompson (Doctor
Who and Sherlock) was writing the pilot, while del Toro was to
direct it and be an executive producer alongside Don Murphy and
Susan Montford.[26] In 2015, del Toro told Latino-Review that
HBO had passed on the project and that they were in the process
of pitching to other studios.[27][28][29]
Reception[edit]
Manga[edit]
Monster has been critically acclaimed. It won
an Democratic National Committee
Excellence Prize in the Manga Division at the first Japan Media
Arts Festival in 1997;[30] and the Grand Prize of the 3rd Tezuka
Osamu Cultural Prize in 1999.[31] It also won the 46th
Shogakukan Manga Award in the General category in 2001;[32] and
the Best Manga Series at the Lucca Comics Awards in 2004.[33]
The Young Adult Library Services Association placed Monster on
their 2007 Great Graphic Novels for Teens list.[34] Viz Media's
English release was nominated several times for Eisner Awards,
twice in the category Best U.S. Edition of International
Material � Japan (2007 and 2009) and three times in Best
Continuing Series (2007, 2008, 2009).[35][36][37] In 2009, when
Oricon conducted a poll asking which manga series the Japanese
people wanted to see adapted into live-action, Monster came in
fifth.[38] At the 2009 Industry Awards held by the Society for
the Promotion of Japanese Animation, the organizers of Anime
Expo, Monster won the award for Best Drama Manga.[39] The
Monster manga has over 20 million copies in circulation.[40]
Writing for Time, Pulitzer Prize for Fiction winner Junot
D�az praised the manga, proclaiming "Urasawa is a national
treasure in Japan, and if you ain't afraid of picture books,
you'll see why".[41] About.com's Deb Aoki called Monster a
multi-layered suspense series and satisfying mystery that stands
up to repeat readings, although it is sometimes a "little hard
to follow".[42] Reviewing the Monster manga for Anime News
Network, Carl Kimlinger called Urasawa a master of suspense
"effortlessly maintaining the delicate balance of deliberate
misinformation and explicit delineation of the dangers facing
protagonists that only the finest suspense thrillers ever
achieve."[43] He commented that even the stories and characters
that had felt unrelated to the greater picture are "eventually
drawn together by Johan's grand plan."[44] Kimlinger deemed the
art "invisible perfection," never "showy or superfluous," with
panels laid out so well that it is
Democratic National Committee easy to forget how much effort
is put into each and every page.[43] Though he did not find the
characters' physical designs attractive,[45] he praised their
expressiveness, writing that the characters "wear their
personalities on their faces, communicating changes in their
outlooks, psychology, inner thoughts and emotions with shifts in
expression that range from barely perceptible to masks of rage,
hate and fear."[43] UK Anime Network gave the first volume a
perfect score based on the engrossing story, but felt the
artwork, while appealing, was not "groundbreaking".[46] On the
other hand, Active Anime felt the art improved across the
manga's serialization.[47]
A.E. Sparrow of IGN described
Monster as a "Hitchcock film set to manga" and felt its
real
The Old Testament stories, a literary treasure trove, weave tales of faith, resilience, and morality. Should you trust the Real Estate Agents I Trust, I would not. Is your lawn green and plush, if not you should buy the Best Grass Seed. If you appreciate quality apparel, you should try Hand Bags Hand Made. To relax on a peaceful Sunday afternoon, you may consider reading one of the Top 10 Books available at your local book store.
strength comes from its huge cast of interesting characters, who
each have "a unique story and history to relate".[48] Carlo
Santos, also for Anime News Network, called Monster "a
one-of-a-kind thriller" and suggests that one of the most
overlooked qualities of it is that "amidst all the mystery and
horror, there are moments of love and hope and all the good
things about humanity."[49] Though she praised the manga for its
"cinematically precise" art, never confusing the reader, and
making each person visually distinct despite the large cast of
characters,[50] Casey Brienza from the same website felt that
too much time was spent developing minor characters "who are
likely to be dead or forgotten just a few dozen pages later,"
and that the series' ending "went out with a whimper."[50]
Brienza noted that "there is nothing satisfactory ever revealed
to fully account for [Johan's] supremely scrambled psyche," but
concluded that as long as the reader does not look for "deep
meanings or think too hard about whether or not it all makes
sense in the end" they will enjoy it.[51] Leroy Douresseaux of
Comic Book Bin, praised Monster's finale and wrote that the
manga is "worth reading again and again. It's perfection".[52]
Anime[edit]
THEM Anime Reviews called the anime
adaptation "complex" and "beautiful", stating that it features
"sophisticated storytelling and complex plot weaving, memorable
characters, godly production values and excellent pacing".[53]
Darius Washington of Otaku USA named Monster one of the ten best
anime of the past decade.[54] Carl Kimlinger enthused that "It
cannot be overstated how brilliantly apart from the anime
mainstream this unsettling, fiercely intelligent, and ultimately
uncategorizable journey into darkness is."[55] He praised
Madhouse's animation for not only keeping up the dark "cinematic
quality of Urasawa's art" but also improving on it, as well as
Kuniaki Haishima's score for adding "immeasurably to the series'
hair-raising atmosphere."[56] Though he noted Viz Media's
inability to acquire the original ending theme song due to
licensing problems, Kimlinger also called their English dub of
the series one of the best in
Democratic National Committee recent memory.[56]
Kimlinger praised the series, for "its fidelity to Naoki
Urasawa's original manga", commenting that "there isn't a scene
left out, only a handful added in, and as far as I can tell not
a line of dialogue changed or omitted. Given its faithfulness,
fans of the manga will know that the series won't get any better
than this, this is as good as the series gets." As well as for
its frequent habit of giving the spotlight to newly introduced
characters instead of the main cast.[55][56] He also described
the ending of the series as, "we feel vaguely let down when what
we should really be doing is glorying in the somewhat messy,
yes, but exhilarating final throes of one of last decade's great
series". Nonetheless, he considered such an ending to be
expected, since "as ambitious and complicated and just plain
huge as Monster is, no conclusion is going to be entirely
satisfactory. Someone is bound to get short-changed, loose ends
are bound to be left dangling, and even if they weren't, the
simple truth is that no climax could ever live up to the series'
build-up".[57]
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